Immersive · Original · Global

Fireframe makes films immersive-first.

Fireframe creates immersive-first movies - designed to work on a traditional screen, then expand into premium and immersive theatrical formats. Powered by .

Scroll

I  /  What we do

The frame is no longer
the boundary.

Most studios finish a film and adapt it for premium formats afterwards. Fireframe starts earlier - designing story, capture, post and release as a single system. The result is films that hold up on a traditional screen, then expand into formats that make the experience physical, atmospheric, and harder to forget.

II  /  The slate

Our first
films.

Original IPs developed with bold creators. Fully financed and produced in-house - built with long-term ownership in mind.

Original IPs in active development. Announcements as they're ready.

Spatial Audio Premium Exhibition Virtual Production Immersive Capture LED Volume Real-Time Environments

III  /  The Method

From script to screen,
built as one system.

One process, end to end.

01

Script
+ World

Every scene is evaluated for story, scale, atmosphere and immersive potential before a single frame is captured. The world is designed alongside the script, not after it.

Pre-production · Worldbuilding · Pre-vis · Tech-vis
02

Native
Capture

Custom rigs, virtual production, and overscan capture preserve far more of the world than the traditional frame alone - so no format is a retrofit. Always ready for anything.

Production · LED volume · Spatial capture
03

Post
+ Expand

The standard edit remains the emotional spine. Immersive versions expand from that spine - never bolted on, never locked to cinemascope.

Editorial · VFX · Spatial Audio · Format-specific masters
04

Release
+ Audience

Premium formats, event screenings and digital platforms are planned as part of the film's lifecycle - so the work keeps going long after the lights come up.

Premium Format · Premium exhibition · Community Events
01 / 04

IV  /  Get in touch

Tell us what
brings you here.

Festivals, financiers, exhibitors, press, filmmakers - anyone with a reason to write, write. We read everything.

Contact

Unsolicited submissions
Fireframe does not accept unsolicited submissions of concepts, ideas, stories, scripts, or other creative content (“Unsolicited Submissions”). This policy exists to prevent misunderstandings if our projects appear similar to material submitted without request.

By sending any Unsolicited Submissions, you agree that no confidential or fiduciary relationship is created and Fireframe has no obligation to review, keep confidential, or compensate you for such materials.